Native America Calling

Friday, October 2, 2026 — Indigenous design as visual sovereignty

From the original Cherokee syllabary to banners waved by Native American demonstrators, graphic works by Native people carry a thread through the centuries that operate within their own design framework. A new book and accompanying gallery exhibition, “Designed to be Red”, documents and celebrates that thread of visual works by Native designers that exert agency and authority over their own stories. The project compiles examples of purposeful visual rhetoric by Native Americans meant to teach, persuade, resist, and share within an environment that so often dismisses Native input. We’ll talk with Native designers about the project and the unique role Native designs play.

GUESTS

Brian Johnson (Monacan Indian Nation), partner of Polymode design studio

Heidi Brandow (Kanaka Maoli and Diné), editor of “Designed to be Red”, artist, and curator

Dr. Jessica Moore Harjo (Otoe-Missouria, Osage, Pawnee, and Sac & Fox). interdisciplinary artist and graphic designer

Kevin Coochwytewa (Isleta Pueblo and Hopi), freelance graphic designer and creative director

Coming Up on NATIVE AMERICA CALLING

Past Shows

Thursday, October 1, 2026 — Indigenous leaders take on organized attempts to downplay residential school narrative

At a time when Canada is reflecting on the painful history of residential schools, Indigenous leaders are having to speak out against organized efforts to minimize the harms inflicted on generations of Indigenous children. Just days before Canada’s National Day for Truth and Reconciliation, white nationalists gathered near the site of the former Kamloops Indian Residential School in British Columbia. The incident drew condemnation from Prime Minister Mark Carney and First Nations leaders. After witnessing what they say is an increase in sophisticated misleading public messages, Canadian elected officials are considering legislation to ban residential school denialism. We’ll explore the trend to minimize and distort an era of forced assimilation of subsequent abuse of children and the challenges for addressing it.

Wednesday, September 30, 2026 — The Menu: Blue corn children’s book and a new Native pastry shop

“The Blue Corn Kitchen” by Alana Yazzie (Diné) gives young reader’s a glimpse of the traditional corn-based Navajo foods many Navajo grandmothers have stocked in their kitchens. It’s the latest project from the self-made, Navajo lifestyle and food blogger who also goes by The Fancy Navajo.

Howdy Cakes is a new pastry and cake business by Diné culinarian, Liz McKenzie. It’s in partnership with a start-up mini food hall in Albuquerque.

And, on the National Day of Remembrance for U.S. Indian Boarding Schools, we’ll take a look at the negative effects the institutions had on Native foodways.

GUESTS

Liz McKenzie (Diné), culinarian and cake artist; owner of Howdy Cakes, owner of Prickly Foods, and partner for La Carinderia

Alana Yazzie (Diné), creator and owner of the lifestyle and food blog, The Fancy Navajo, and author of “The Blue Corn Kitchen”

A-dae Romero-Briones (Cochiti and Kiowa), senior vice president of research and strategy for First Nations Development Institute

Tuesday, September 29, 2026 — Finding success through the art of contemporary horsemanship

Named a “legendary Lakota horseman” by the Oglala Sioux Tribe, Fred Ecoffey (Oglala Lakota) has enjoyed a celebrated 68-year career as a jockey. After winning his debut race in 1957, Ecoffey went on to compete in more than 17,500 races, earning inductions into both the Nebraska Racing Hall of Fame and the South Dakota Sports Hall of Fame. Ecoffey, 88, has retired from professional racing, though he still helps one of his daughters with her barrel racing from time to time. Today, a new generation of young Native jockeys is taking up the mantle and finding success on the racetrack. Among them is Talliyah Timentwa (Colville Tribes), a two-time national Indian Relay champion who made her debut at Washington state’s Emerald Downs racecourse last year. We’ll speak with Native horse riders about cultivating the art of horsemanship across disciplines, from relay races and jockeying to the sport of dressage.

Monday, September 28, 2026 — PBS documentary ‘Knowledge Keepers’ explores Native scientific innovations

Modern traditional practitioners are the culmination of generations of people who acquired and passed on their skills, knowledge, and technology. That knowledge includes innovative ways to find water in arid places, stay warm in cold climates, navigate surroundings without a compass or a map, and to use the land in a way that doesn’t deplete it. A new documentary on the PBS science series “NOVA” talks to some of the Indigenous people who are the receivers of that knowledge and how they’re instilling it in the next generations. “Knowledge Keepers“, produced by Vision Maker Media, shows the innovations that come with knowledge accumulated over millennia, and how that can guide the future for everyone. We’ll talk with the filmmakers and producers ahead of the episode’s premiere on PBS. This is an encore show so we wont’ be taking live listener calls.

Friday, September 25, 2026 — Native Bookshelf: ‘The Birthing Tree’ by Amanda Peters and ‘How Settlers Get Away with Murder’ by Liza Black

Aliet Paul learns traditional sacred birthing practices of her Mi’kmaq through her grandmother. But the outside world is changing and drives a wedge between her and her community. “The Birthing Tree” is the second novel from Amanda Peters (Mi’kmaq). It is a story of identity, overcoming tragedy, and redemption through one’s connections to family and culture.

“How Settlers Get Away with Murder” by Liza Black (Cherokee) focuses on the real-life death and disappearance of five Indigenous people to exemplify the larger culpability of Western systems in ongoing violence against Indigenous people that fuels today’s MMIP crisis.

The Menu

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Native Bookshelf

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Native Playlist

All Native Playlist Episodes

Native in the Spotlight

All Native in the Spotlight Episodes

NAC @ Santa Fe Indian Market

Chugach Sugpiaq jeweler Denise Wallace says she tells stories through her pieces. This year, she’s presenting an elaborate belt she made with her family, featuring ornate, detailed figures, each holding significant meaning, along with intricate designs crafted from ivory, silver, and gold. Wallace has long been a fixture at the Santa Fe Indian Market, now in its 104th year, as nearly a thousand talented Native artists set up to showcase their work. Also among the longtime artists is professional painter Merlin Little Thunder, known for detailed portraits and landscapes that often depict traditional Cheyenne life. For our series of arts interviews, we’ll speak with these artists along with last year’s Best of Show winner Regina Free and event organizers.

We’ll also get an update on the Artist Act that was just signed into federal law. The act prevents states from banning Alaska Native crafts made from materials like walrus ivory and baleen.

After 103 years, the Santa Fe Indian Market remains the biggest draw for Native artists, potters, and jewelry makers as well as those who appreciate and collect their work. More than 1.000 juried participants come from hundreds of Native communities, offering a hugely diverse range of inspiring work. We’ll take a small sample of that creativity and check in on the outlook for Native arts and arts education.

Distinctly Native American artwork, fashion, and films converge again for the annual Santa Fe Indian Market, with at least 1,000 booths and somewhere around 100,000 visitors. Native America Calling is live from Santa Fe, hearing from Southwestern Association for Indian Arts representatives, 2023 Best In Show winner Jennifer Tafoya, curators from the Native Cinema Showcase, and others to get a preview of the largest juried Native art market in the world.

Listen back to Native America Calling’s live broadcast from the Santa Fe Indian Market featuring host Shawn Spruce and guests Dawn Houle (Chippewa Cree from Rocky Boy Montana), Mandolin Rain Song (Taos Pueblo), Jennifer Johns (Diné), and Jason Garcia (Santa Clara Pueblo).

Artists from hundreds of Native nations are tending to their booths in the streets of Santa Fe, selling works they’ve labored for months to prepare. SWAIA’s Santa Fe Indian Market has come a long way in 100 years. Today on Native America Calling, Shawn Spruce is live from Indian Market for a second day with Dr. Suzanne Newman Fricke, director of Gallery Hózhó at Hotel Chaco; Dr. Robert Martin (Cherokee), Institute of American Indian Arts president, to get a feel for what’s in store for the next century; Amber Dawn Bear Robe (Siksika Nation), Indigenous Fashion Show producer for the Southwestern Association for Indian Arts and art history professor at the Institute for American Indian Arts; Dr. Jessica Metcalfe (Turtle Mountain Chippewa), owner of Beyond Buckskin; and Kristin Gentry (Choctaw), artist, photographer, writer, and curator.

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