The number of books dropped from school reading lists and public library shelves is the highest since the organization, PEN America, started keeping track. Fueled mainly by conservative pressure groups and elected leaders at the school board and state legislative levels, the challenges to books target what opponents consider obscenity and themes that are too mature for younger readers. But books by Native writers that cover issues like race, social justice and historical accounts that go against more patriotic portrayals are also caught up in the attempts to control what people can read. We’ll hear about the trends for removing books for public view.
Past Shows

Wednesday, October 7, 2026 — Native Playlist: Jeremy Dutcher and Mali Obomsawin
Composer, singer, and ethnomusicologist Jeremy Dutcher (Wolastoqiyik) is taking his music on an international tour that includes performing in Taiwan and Japan with renowned cellist Yo-Yo Ma. Dutcher’s music continues to draws fans around the world following the release of two acclaimed albums in his Native language, featuring his distinctive tenor voice. His latest album, “Motewolonuwok“, won the Polaris Music Prize. We’ll catch up with him about his latest projects, including the soundtrack to the film “Sk+te’kmujue’katik” (“The Place of Ghosts”), a Mi’kmaq supernatural thriller that premiered at the Toronto International Film Festival.
“Automatic” is the upcoming second solo album from musician Mali Obomsawin (Odanak First Nation). Obomsawin pushes her avant-garde jazz and experimental sound further than she did on her debut album, “Sweet Tooth”. The new album is bold, explosive, colorful, and ambient with a haunting closing track. We’ll discuss the new album as well as her work with the Julia Keefe Indigenous Big Band, her rock-shoegaze band Deerlady, and her attempt to “make a record institutions can’t own.”

Tuesday, October 6, 2026 — What removing questions about race from the U.S. Census means for Native Americans
The Trump administration’s proposal to remove questions about a person’s race for the U.S. Census is sparking alarm among tribal leaders, voting rights advocates, and social service providers. They say it will significantly impede tribes’ political representation at the state and federal levels and reduce access to federal resources, adding up to a serious erosion of tribal sovereignty. Counting the racial makeup of the country has been a function of the constitutionally mandated decennial census since it started in 1790. The Census Bureau proposes changing it to help improve response rates. We’ll hear what changes are potentially in store from the U.S. Census and what the implications are for Native residents.

Monday, October 5, 2026 — One tribe breaks from the pack on prediction markets
At a time when tribes across the country are working to shut down prediction market companies, the Tunica-Biloxi Tribe of Louisiana is embracing them by launching its own mobile app with the help of industry giant, Kalshi. The Tunica-Biloxi chairman says his tribe is “creating a new source of economic opportunity and doing it on its own terms.” That is decidedly counter to the other tribes that argue the prediction market platforms pose a direct threat, siphoning off gaming revenue, and sidestepping the strictly regulated federal laws governing Indian casinos. We’ll hear about the plans for the new app — and potential hurdles.
We’ll also hear from entrepreneur, writer, and computer programmer Miguel Douglas (Puyallup Tribe of Indians) about his work to improve visibility for Native-owned businesses with his latest app, Nativepreneurs.

Friday, October 2, 2026 — Indigenous design as visual sovereignty
From the original Cherokee syllabary to banners waved by Native American demonstrators, graphic works by Native people carry a thread through the centuries that operate within their own design framework. A new book and accompanying gallery exhibition, “Designed to be Red”, documents and celebrates that thread of visual works by Native designers that exert agency and authority over their own stories. The project compiles examples of purposeful visual rhetoric by Native Americans meant to teach, persuade, resist, and share within an environment that so often dismisses Native input. We’ll talk with Native designers about the project and the unique role Native designs play.

Thursday, October 1, 2026 — Indigenous leaders take on organized attempts to downplay residential school narrative
At a time when Canada is reflecting on the painful history of residential schools, Indigenous leaders are having to speak out against organized efforts to minimize the harms inflicted on generations of Indigenous children. Just days before Canada’s National Day for Truth and Reconciliation, white nationalists gathered near the site of the former Kamloops Indian Residential School in British Columbia. The incident drew condemnation from Prime Minister Mark Carney and First Nations leaders. After witnessing what they say is an increase in sophisticated misleading public messages, Canadian elected officials are considering legislation to ban residential school denialism. We’ll explore the trend to minimize and distort an era of forced assimilation of subsequent abuse of children and the challenges for addressing it.
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NAC @ Santa Fe Indian Market

Chugach Sugpiaq jeweler Denise Wallace says she tells stories through her pieces. This year, she’s presenting an elaborate belt she made with her family, featuring ornate, detailed figures, each holding significant meaning, along with intricate designs crafted from ivory, silver, and gold. Wallace has long been a fixture at the Santa Fe Indian Market, now in its 104th year, as nearly a thousand talented Native artists set up to showcase their work. Also among the longtime artists is professional painter Merlin Little Thunder, known for detailed portraits and landscapes that often depict traditional Cheyenne life. For our series of arts interviews, we’ll speak with these artists along with last year’s Best of Show winner Regina Free and event organizers.
We’ll also get an update on the Artist Act that was just signed into federal law. The act prevents states from banning Alaska Native crafts made from materials like walrus ivory and baleen.

After 103 years, the Santa Fe Indian Market remains the biggest draw for Native artists, potters, and jewelry makers as well as those who appreciate and collect their work. More than 1.000 juried participants come from hundreds of Native communities, offering a hugely diverse range of inspiring work. We’ll take a small sample of that creativity and check in on the outlook for Native arts and arts education.

Distinctly Native American artwork, fashion, and films converge again for the annual Santa Fe Indian Market, with at least 1,000 booths and somewhere around 100,000 visitors. Native America Calling is live from Santa Fe, hearing from Southwestern Association for Indian Arts representatives, 2023 Best In Show winner Jennifer Tafoya, curators from the Native Cinema Showcase, and others to get a preview of the largest juried Native art market in the world.

Listen back to Native America Calling’s live broadcast from the Santa Fe Indian Market featuring host Shawn Spruce and guests Dawn Houle (Chippewa Cree from Rocky Boy Montana), Mandolin Rain Song (Taos Pueblo), Jennifer Johns (Diné), and Jason Garcia (Santa Clara Pueblo).

Artists from hundreds of Native nations are tending to their booths in the streets of Santa Fe, selling works they’ve labored for months to prepare. SWAIA’s Santa Fe Indian Market has come a long way in 100 years. Today on Native America Calling, Shawn Spruce is live from Indian Market for a second day with Dr. Suzanne Newman Fricke, director of Gallery Hózhó at Hotel Chaco; Dr. Robert Martin (Cherokee), Institute of American Indian Arts president, to get a feel for what’s in store for the next century; Amber Dawn Bear Robe (Siksika Nation), Indigenous Fashion Show producer for the Southwestern Association for Indian Arts and art history professor at the Institute for American Indian Arts; Dr. Jessica Metcalfe (Turtle Mountain Chippewa), owner of Beyond Buckskin; and Kristin Gentry (Choctaw), artist, photographer, writer, and curator.






